Showing posts with label Joy Postle Blackstone. Show all posts
Showing posts with label Joy Postle Blackstone. Show all posts

Monday, May 25, 2026

Mural Mystery Solved (Mostly)

With the help of friends, I was recently able to solve a mystery that I first stumbled across in 2009 connected to a photograph from 1937. I first came across the image while I was diving into the archives of the Joy Postle Collection to source images for an article to be published in Reflections magazine. Thanks to Denise Hall, the collection at UCF is quite extensive and includes artwork, photographs and even the artist's diary she kept during the 1930s. The photo that intrigues me so much was of a group of dignified people, gathered in front of a large painting of a Seminole Indian. On the back in pen is written:

1937

W.P.A. Art Project

Trip to U. of F. Gainesville

Joy P. Don Emory

M. Runyon in Center

Special Collections & University Archives Libraries

University of Central Florida


I recently returned to the archives while researching Joy Postle's Casa Iberia mural on the Rollins College campus and was reminded that I had never figured out the location of the image, who painted the beautiful artwork, or who the rest of the people in the photo were. So I reached out to Flo Turcotte at the Archives at UF and she enlisted the help of fellow archivist Sarah Coates.  It was she who discovered the location of the image:

"Found it! It was over the fireplace in the Bryan Lounge that was in the Florida Union, now Dauer Hall. I have no idea if this painting is still there, nor do I know what the old Bryan Lounge was turned into once the building was no longer the Florida Union.

 She also sent links showing the space with the painting: 

To find out if the painting was still hanging on campus, I turned to Pam Marlin, an Instagram contact who works at UF and has done incredible then and now photo work on campus – you can explore her site here. Here was her response to my inquiries about the paintings whereabouts: 

"I don’t believe the painting is still hanging in the building. I’ve been to Dauer Hall many times over the years, mostly for events at the Keene Faculty Center (created when Dauer Hall was renovated in the 1990s).  The room with the fireplace and painting may have been part of today's faculty center, however, this particular area has been subdivided. It is now configured into multiple rooms that house the Classics Department (with the Religion Department upstairs). 
I walked over to Dauer today and captured a photo of the SE corner of the building where I think the original fireplace and painting were (see attached).  Visible in the photo is an exterior view of the large bay window (seen in the old interior photos) and exterior chimney stacks (suggesting a fireplace).    I also walked into the Classics Department area specifically looking for the bay window and the fireplace, but the space is now divided into many rooms, some wood-paneled, with no fireplace or a view of the large bay window. My guess is that the fireplace was either covered or removed during renovation, and possibly the painting along with it.  The beautiful interior arches have been removed as well."
Courtesy Pam Marlin

Pam later went inside Dauer Hall and reported:

"I walked over to Classics again and talked briefly with Robert Wagman, former Classics department chair (2009).  His office is located along the same wall as the fireplace (between the fireplace and the bay window) and it has the original dark wood paneling.  He told me that there is a wall over the fireplace, and likely the mural as well.  He took me to the room where it was located and tapped on the hollow wall.  He mentioned that when he was chair he encouraged them to open the wall, which they did not.  I have attached a photo (it is the back wall)." 

Courtesy Pam Marlin

As disappointed as I was that the painting is no longer viewable on campus, I was thrilled when both Pam and Sarah discovered the name of the artist who painted it: Fred Madden. Madden both attended and taught at UF. He painted the mural in 1936, the year before the photograph was taken. I found an article with photos of both the mural and a photo of the artist, and that allowed me to identify him in the group photo, standing front and center, just left of Joy Postle. 


From the Miami News, Oct. 1945

Madden, apparently an accomplished muralist like Postle, taught art at Camp Roosevelt, as did Postle, so it is likely they knew each other. Sorting out the other folks in the photo is a bit of challenge. Artist Manny Runyon, mentioned in the inscription on the back, appears to be the bearded fellow near the center of the image. O. C. R. Stageberg, UF professor of art and architecture could be the be to the right of Runyon, but it is difficult to be sure. It's also possible that Eve Alsman Fuller, an important figure at Camp Roosevelt, and an acquaintance of Postle, is one of the women on the left. Other possible people in attendance include Warren Doolittle, Van H. Ferguson, and William F. Lockwood. That aspect of the mystery still remains unsolved!

Halifax Historical Society

Don W. Emery


UPDATE: While attending a reception at the Halifax Historical Museum in Daytona Beach, I noticed several striking murals on the wall signed by "Don J." and "Don W. Emery." There was a display of the work by Don W., who was the son of Don J., but none of the photos matched anyone in my UCF image. But museum docent Carol Ann Moritz knew exactly where to look in the archives, and we found an image of Don W. He is standing behind Joy Postle, to the right. Another piece of the puzzle found!

Wednesday, March 13, 2013

Ode to Joy



I recently learned of a small gallery exhibition to honor the late Florida artist Joy Postle. I have posted about her multiple times in the past, ever since I received one of her works as a gift. The opening was last Saturday at the Deltona Art and History Center, and I was thrilled to be able to attend. The room had a wide variety of Joy's work, arranged in chronological order, with images of the artist interspersed throughout. Many of those in attendance were lucky enough to have known Joy before her passing in 1989, including Judy Madsen Johnson who did a reading from her book, Joy Cometh in the Morning.

I caught up with the artist who organized the show, Jennifer Myers Kirton, and this is what she had to say:
"For many years I have wanted to honor Joy but never before had the opportunity.  When I became curator of Deltona Art and History Center I was given opportunity to promote other artists which was my pleasure.  I had a series of things happen where I had a free month at the center and things just began to fall into place.  This show was thrown together in less than 5 weeks.  If I had had more time I might have been able to do more but I was so anxious to honor one of the art world's treasures."

How did you meet Joy Postle?
I first met Joy in the old Winter Park Mall. Joy had heard about me and called to see if I would do a working artists show. I was a little scared as I was a young housewife and mother who dabbled in art as a hobby but had no confidence.  Joy introduced herself and something special happened.  I got to escape into a world where I could practice my art in the midst of a busy place and still be creative.  Joy would check on me and encourage me. I was honored that such a great talent would take time with me but that was Joy. Interestingly enough I sat between Joy and Charles at that show.  Little did I know how much they would both influence me...

What was the most valuable thing you learned from her?
Wow! I learned that a woman could be an artist.  I learned that hard work and dedication could make up for not going to art school. I learned that nature tells her own story and that we do not replicate it on paper but look for the design of nature in nature. I think it was because of her I set out to draw everyday for a year or give up my art. This work ethic is still with me.  I think too many modern artists are not willing to put in the work and dedication that is required.

What made Joy unique as an artist?
Love – love of life, love of nature, and love of people.  This came through her work as she saw the birds wondrous creatures waiting to tell a story or glimpses of nature wanting to burst forth through art. She was gifted in that she could see in a lowly plant or critter something beautiful, something that needed to be shared. Again dedication and hard work tempered with talent and joy of life.

Where did all the artwork in the Deltona show come from?
Once we decided to do it several people offered personal pieces from their collections.  I had some, Loren King grew up near her and offered some, Madill's collection came from his late wife and his collection and Judy Madsen had some.  I could have used more but this was small venue. All of us knew Joy and had been touched in different ways by Joy. I think if I had a bigger venue and more time we really could have done her right but I truly hope that Joy would have enjoyed it and been touched.

What is your favorite Joy Postle painting?
Gosh that is hard to answer.  I think I like her birds and the one on stage was what she did in the height of her art. I like the panther because it goes beyond the canvas and you wonder how she could have drawn it with out quaking in her shoes.
The panther supposedly walked into the scene as Joy was painting it

What is it about Joy that makes people want to pay tribute to her and her work?
First of all she was a wonderfully talented person who lived a life that we can only imagine. She was a woman artist when women were not supposed to be artists.  She made it possible for women artists of today to actually practice what they love. I am younger but even when I was in high school my Dad was willing to educate me but I could be a secretary, nurse, teacher and definitely not an artist. Obviously she was talented but it is deeper than that it is that she captured a vanishing America despite her sacrifice.

Note: Joy Postle's beautiful mural of flamingos at Casa Iberia on the Rollins College campus is featured in my latest book, Shaping a Sense of Place: Historic Murals and the Aesthetic Character of Winter Park.  


What do you think Joy's legacy is?
She will go down I think as a true pioneer in American art.  She is a great artist who happened to be a woman. She captured landscape and wildlife in the natural setting that comes only with sacrifice. Today many artists take a picture with their camera and reproduce it – she made nature the picture and captured it on paper.
The rookery at Orlando's Lake Eola